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GigFaster University Courses

In this 3-video free course you will learn how to book gigs using email strategies that get results. You will learn why you need to use email to contact venues and the secret to getting the booking agent's attention. More details.

GigFaster University Products

Best Email Templates For Booking Gigs

This book is packed with our most successful email templates that you can customize to start booking gigs today. Follow-up emails are critical to your success so we included the most effective follow-up templates too. The best emails in the world still need a proven winning strategy to be successful so we included The GigFaster Method as well.

Instant Download: Only $27

Best Times To Send Emails To Booking Gigs

This is the perfect companion to Best Email Templates For Booking Gigs. Crafting effective emails is just the first part of a successful gig campaign. Sending at the best times is critical. 
Note: Best Times To Send Emails To Book Gigs is only available with the purchase of Best Email Templates For Booking Gigs.

Instant Download: Only $27

Quick Start Free Guides

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GigFaster - Checklist For Booking High Exposure Gigs
GigFaster - Best Band Profile Checklist
GigFaster - 5 Tips For Massive Exposure
GigFaster Free No Regrets Checklist
GigFaster The Gig Playbook
How I Booked Sold Out Gigs Opening For GRAMMY Artists Using Only Email


Craig Kelley

Founder of GigFaster.com
Years ago I would pick up the phone and call clubs trying to book a gig. It took a lot of time. My calendar was filled with reminders so I wouldn’t forget to call at the exact time the booking agent requested. That’s if I was lucky enough to be told when to call.

Chances are, it was a shot in the dark anyway. There was never a good time to call. I was calling at all hours of the day trying to get one gig.

If I was persistent, and lucky, I would catch the club owner at a good time. He’d give me the normal response – “send me your band’s promo kit“. After he had a chance to listen to it he would “get back to me“.

Almost 100% of the time, unless we totally blew him away with our music, we wouldn’t hear from him. So, I’d follow up and follow up and follow up.

Eventually, the booking agent, again, usually the club owner, felt like they knew me since I’d been talking with them for so long. It was either that or they just wanted to shut me up!

The result was either a flat out “never” or we’d get booked for an opening slot. A lot of times I’d convince the owner to book us for the gig for the entire night. We got booked a lot simply because of my persistence.

It took a lot of work. On top of that, I had a full-time job and gave guitar lessons on the side. Since I was the only one booking the gigs I eventually burnt out.

Thankfully, times have changed and email is the preferred method now a days.

Sadly, most people trying to book gigs haven't changed and still think they need to call.

I have proven them wrong time and time again using my email strategy that email is the way to book gigs. 

I've booked big shows with huge artists using email. Don't get me wrong. Using email is not simply enough. 

There is a right way and a wrong way to go about it. Most people go about it all wrong.

Go ahead and watch my video to start learning the proven way to book gigs using the preferred method of communication - email.

GigFaster University Courses

In this 3-video free course you will learn how to book gigs using email strategies that get results. You will learn why you need to use email to contact venues and the secret to getting the booking agent's attention. More details.
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